{"id":7474,"date":"2025-05-14T02:46:34","date_gmt":"2025-05-14T02:46:34","guid":{"rendered":"https:\/\/staging.museeafrica.com\/?page_id=7474"},"modified":"2025-06-20T19:44:02","modified_gmt":"2025-06-20T19:44:02","slug":"nadia-ait-said","status":"publish","type":"page","link":"https:\/\/museeafrica.com\/fr\/exhibitions\/nadia-ait-said\/","title":{"rendered":"Nadia A\u00eft-Sa\u00efd"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"7474\" class=\"elementor elementor-7474\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a5527eb e-flex e-con-boxed e-con e-parent\" data-id=\"a5527eb\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7d912b46 elementor-widget elementor-widget-heading\" data-id=\"7d912b46\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Nadia A\u00eft-Sa\u00efd<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5a610ee7 elementor-widget elementor-widget-text-editor\" data-id=\"5a610ee7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\"><strong>Nadia A\u00eft-Sa\u00efd<\/strong> est n\u00e9e en Gasp\u00e9sie d\u2019un p\u00e8re alg\u00e9rien et d\u2019une m\u00e8re qu\u00e9b\u00e9coise. Elle partage son temps entre la mer de Gasp\u00e9, la m\u00e9tropole montr\u00e9alaise et de nombreux s\u00e9jours \u00e0 l\u2019\u00e9tranger. Nadia s\u2019int\u00e9resse au th\u00e8me de l\u2019identit\u00e9 en lien avec l\u2019impermanence. Elle cr\u00e9e des compositions, des peintures en relief, et r\u00e9alise \u00e9galement des installations et des mises en sc\u00e8ne immersives. La performance et la vid\u00e9o se combinent \u00e0 ses m\u00e9diums de travail pour enrichir cette exploration. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans divers lieux : centres culturels, centres d\u2019artistes, galeries, mus\u00e9es et ambassades au Canada, aux \u00c9tats-Unis, en France, en Belgique, en Alg\u00e9rie et au Japon. Ses \u0153uvres font partie de collections priv\u00e9es au Qu\u00e9bec et en Europe, ainsi que de collections publiques, notamment la Collection Loto-Qu\u00e9bec \u00e0 Montr\u00e9al.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f9c0487 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"f9c0487\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b31b51b elementor-shape-circle e-grid-align-mobile-center elementor-grid-0 e-grid-align-center elementor-widget elementor-widget-social-icons\" data-id=\"b31b51b\" data-element_type=\"widget\" data-e-type=\"widget\" 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elementor-widget-video\" data-id=\"97712f5\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/youtu.be\\\/DphtfZMhV60?si=aPGptMNqm5XvyJd_&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7d22c6d e-flex e-con-boxed e-con e-parent\" data-id=\"7d22c6d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-64a2aa4 elementor-widget elementor-widget-text-editor\" data-id=\"64a2aa4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><strong>Informations compl\u00e9mentaires<\/strong><\/h3><h3><strong>Installation \/ performance:<\/strong><\/h3><p class=\"translation-block\"><strong>PORTAL<\/strong>, Maison de la culture C\u00f4te-des-Neiges, Montr\u00e9al. Cr\u00e9dit photo : Nadia A\u00eft-Sa\u00efd<\/p><p class=\"translation-block\"><strong>ENGRAMME<\/strong>, Centre d\u2019exposition d\u2019Amos, Abitibi. Cr\u00e9dit photo : photos 1 et 2, Nadia A\u00eft-Sa\u00efd ; photo 3, Alain Beauregard<\/p><p>MADRAS_Courte pointe, \u0153uvre en cours. Cr\u00e9dit photo : Robert Dub\u00e9<\/p><p>MADRAS_Cocon, \u0153uvre en cours. Extrait d\u2019une performance. Cr\u00e9dit photo : Estelle Marcou<\/p><h4><strong>Works:<\/strong><\/h4><p><strong>Femme 19 (183 cm \u00d7 61 cm \u00d7 20 cm)<\/strong><\/p><p><strong>Cr\u00e9dit photo : Alain Beauregard<\/strong><\/p><p><strong>Nomade 2 (153 cm \u00d7 94 cm \u00d7 12 cm)<\/strong><\/p><p>Cr\u00e9dit photo : Alain Beauregard<\/p><div class=\"qodef-e qodef-portfolio-content\"><h4><strong>Video :<\/strong><\/h4><p>Vid\u00e9o documentaire de l\u2019exposition ENGRAMME de 2 minutes, Centre d\u2019exposition d\u2019Amos (salle de 200 m\u00b2), Abitibi. Bande sonore de l\u2019exposition : extrait de l\u2019\u0153uvre \u201cThe Amazing Eyes of Rita\u201d d\u2019Anouar Brahem, EMC Records GmbH.<\/p><p>Actualit\u00e9s:<\/p><p>Projet MADRAS en cours<\/p><ul><li>\u00a0Collection d\u2019\u00e9charpes : MADRAS \u2013 Un projet d\u2019art participatif avec Nadia A\u00eft-Sa\u00efd. Vous pouvez participer \u00e0 ce projet en offrant une \u00e9charpe que vous ou un proche avez d\u00e9j\u00e0 port\u00e9e.<\/li><li>Affiche de s\u00e9lection en PDF<\/li><li>Photo de s\u00e9lection d\u2019\u00e9charpes en JPEG<\/li><li>Lien vers le projet MADRAS<\/li><\/ul><p>http:\/\/www.ait-said.net\/Nadia_Ait-Said_Francais\/projets\/madras.html<\/p><h4><strong>Contact information :<\/strong><\/h4><p><a href=\"mailto:nadiasaid@hotamail.com\"><strong>nadiasaid@hotamail.com<\/strong><\/a><\/p><p><strong><a href=\"https:\/\/www.facebook.com\/NadiaAitSaidArt\">https:\/\/www.facebook.com\/NadiaAitSaidArt<\/a><\/strong><\/p><p>atelier NAS, 5 rue Commerciale Ouest, Chandler, G0C 1K0<\/p><\/div><div class=\"qodef-portfolio-info\"><div class=\"qodef-e qodef-info--info-items\"><h5 class=\"qodef-e-title\">\u00a0<\/h5><\/div><\/div><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<div class=\"tmnf_excerpt clearfix\"><p>Nadia A\u00eft-Sa\u00efd Nadia A\u00eft-Sa\u00efd was born in Gasp\u00e9sie to an Algerian father and a Quebec mother. She divides her time between the Gasp\u00e9 Sea, the metropolis of Montreal and many stays abroad. Nadia is interested in the theme of identity in relation to impermanence. She creates compositions, relief paintings, in addition to making installations and &hellip;<\/p>\n<\/div>","protected":false},"author":1,"featured_media":0,"parent":5646,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"homepage.php","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-7474","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/museeafrica.com\/fr\/wp-json\/wp\/v2\/pages\/7474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museeafrica.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/museeafrica.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/museeafrica.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museeafrica.com\/fr\/wp-json\/wp\/v2\/comments?post=7474"}],"version-history":[{"count":55,"href":"https:\/\/museeafrica.com\/fr\/wp-json\/wp\/v2\/pages\/7474\/revisions"}],"predecessor-version":[{"id":9177,"href":"https:\/\/museeafrica.com\/fr\/wp-json\/wp\/v2\/pages\/7474\/revisions\/9177"}],"up":[{"embeddable":true,"href":"https:\/\/museeafrica.com\/fr\/wp-json\/wp\/v2\/pages\/5646"}],"wp:attachment":[{"href":"https:\/\/museeafrica.com\/fr\/wp-json\/wp\/v2\/media?parent=7474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}